Forums - Synths & synthesis
Subject: Jungle not Rumble Basslines
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Original Message 1/14 11-May-04 @ 12:15 PM - Jungle not Rumble Basslines
1. Using a square wave
2. Modulating the filter cutoff (but with what - pitch wheel?)
3. Velocity modulating attack (so lower velocity equal longer attack times - "wamp" sound)
4. Then add a bit of saturation/distortion.
Problem is that my basslines still sound crap. Any hints?
No compression comments please - I know! More about synth programming I reckon. :-)
Message 2/14 11-May-04 @ 07:01 PM - RE: Jungle not Rumble Basslines
Distort or amp sim!!! and try using more than one oscillator, detuning the second, Considerably... the distortion effect should pull the detuned oscillator in and give it that wicked horror feeling.
try two voices... one on a bandpass, the other on a low.. then just tweak the band pass, that way the overall sound stays solid while it tweaks and thumps... Optikal was known for that!
Tweak your filter with whatever gives you control. Most fools use the cutoff and resonance knobs... but a wheel would work... whatever... .... ...
oh, and yeah, it's a square wave (you're right)... but you know, we've all heard the detuned square wave on a rising lowpass over and over again... you might want to consider pushing the idea into new places...
e
Message 3/14 11-May-04 @ 09:17 PM - RE: Jungle not Rumble Basslines
Ape
Message 4/14 08-Jun-04 @ 10:26 AM - RE: Jungle not Rumble Basslines
Message 5/14 08-Jun-04 @ 12:37 PM - RE: Jungle not Rumble Basslines
Message 6/14 08-Jun-04 @ 07:28 PM - RE: Jungle not Rumble Basslines
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Message 8/14 09-Jun-04 @ 12:31 PM - RE: Jungle not Rumble Basslines
Message 9/14 09-Jun-04 @ 02:46 PM - RE: Jungle not Rumble Basslines
filtering OUT unwanted frequencies before using compression etc is critical cos naturaly, if you filter it out AFTER compression, those freq's are effecting the compressor cos it's eeing those freq's at it's Sidechain input and consequently reacting to them.
mind you of course you CAN manipulate that fact of course by using freq's either in the original signal or from an alt' sound source fed to the sidecian input..
example - you can feed a kik split off from it's channel to the sidechain input and the compressor wont react to the bass passing THRU it's curcuit UNTIL the kik arrives
if you them mess with the timing of the sidechain source etc etc... (and of course, the signal feeding to the sidechain does NOT have to be in the mix at all
Message 10/14 09-Jun-04 @ 02:51 PM - RE: Jungle not Rumble Basslines
example... cheaper than VOCALIGN... you have a main vocal in an RnB song, with 2 part BV's doing a 3rd & 7th or whatever
you can trigger the BV's to come in exactly when the initial/first MAIN vocal phrase transient appears... so basicaly the main vocal is switching the 2 BV's In to the mix... make the BV's attack on the gate a little slow, just a tad and it wont sound unatural, but the effect is that all the vocals start IDENTICALY in time which can tightens things up if the start time of the BV's is in any way even slightly off here and there.... try it anyways as an effect - all you need is a stereo gate with trigger IN
Message 11/14 10-Jun-04 @ 12:20 AM - RE: Jungle not Rumble Basslines
Message 12/14 10-Jun-04 @ 01:56 AM - RE: Jungle not Rumble Basslines
Message 13/14 11-Jun-04 @ 09:30 PM - RE: Jungle not Rumble Basslines
Ape
Message 14/14 25-Jul-04 @ 11:50 AM - RE: Jungle not Rumble Basslines
bitcrusher. I haven't figured out exactly how to use it consistantly yetsrc='images/whatever.gif'>, but when
used after a lpf with high resonance in the signal chain, it can certainly make
those 'womp' sounds crush chest cavities.
Peaceout,
Peter
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