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Subject: hats&snares for house
Original Message 1/24 14-May-00 @ 09:52 AM - hats&snares for house
Message 2/24 14-May-00 @ 12:17 PM - RE: hats&snares for house
Message 3/24 24-May-00 @ 05:33 PM - RE: hats&snares for house
see ya
Message 4/24 25-May-00 @ 11:58 AM - RE: hats&snares for house
Message 5/24 27-May-00 @ 09:15 AM - RE: hats&snares for house
and it to your brain. True story....Very, very simple stuff. P.S.The beats just a joke, don't take it personally.P.S.S. He's not a t#*t for asking or
not knowing, every one has to start some were. P.S.S.S fuck house *make breaks*
Message 6/24 27-May-00 @ 09:22 AM - RE: hats&snares for house
Message 7/24 27-May-00 @ 12:25 PM - RE: hats&snares for house
well here's a 'higher state of conciousness' wink/morillo type groove... but that remix was done with a well know breakbeat which you should have it's pretty common... this is just a ruffish midi approximation, but there it is
it's at 127 and needs a delay set to an aux send, with some delay added to hat, clap/snare & the synth riff on chan_1.... the dalay time should be 354, and about 35-50% feedback.... blend that delay return in to get a roll to the beat...
Message 8/24 28-May-00 @ 04:46 PM - RE: hats&snares for house
Message 9/24 28-May-00 @ 06:41 PM - RE: hats&snares for house
what the fuck is parametric eg
Message 10/24 31-May-00 @ 12:22 AM - RE: hats&snares for house
Ya gotta shuffle those 1/16s quite a bit so that the second 16th note is around where a third triplet would be...
for example...
0 24 48 72 would be normal 16th notes (96ppq)
0 32 48 80 would be a swinging 16th pattern
0 16 32 48 64 80 would be the 16th note triplets
see?
Adds swing. And when you're programming velocities, start simple and give all hats either 64 or 127...work from there. Listen and evaluate...
Also, to add more REAL sounding accents, use a couple of different closed hat samples...some really tight "etching" ticky ones and some pedal-hat sounding "ch" ones with varying decays.
Hmm...what else... don't forget the tamborine! and the agogo. I've found that using these or other cymbal-like percussion really fills things up. I try to keep the agogo level down or it gets too latiny, or it sounds forced. (and also because I'm a silly white boy and my agogo patterns are pure cheese!)
Anyway, that's all I've got for now...
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