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Forums - Music techology
Subject: >>>ANALOG BEATBOX EMULATION<<<
Original Message Date: 10-Mar-98 @ 08:46 AM - TR808 CRASH CYMBAL
HI!, anybody outhere knows how to emulate
an 808 crash cymbal using analog modules like
noise sources, EGs, filters, etc.
I wanna know the audio and control path and
the settings of the parameters in each module.
If anybody know the original setup please e-mail
me or write the answer here.
Thanks
Kilo, you looks very wise in music technology,
do you know the answer?
Thanks again
an 808 crash cymbal using analog modules like
noise sources, EGs, filters, etc.
I wanna know the audio and control path and
the settings of the parameters in each module.
If anybody know the original setup please e-mail
me or write the answer here.
Thanks
Kilo, you looks very wise in music technology,
do you know the answer?
Thanks again
Message 11/11 08-Apr-98 @ 06:21 AM - RE: >>>ANALOG BEATBOX EMULATION<<<
HEY BOYS, IT WORKS!!!!!!
I WAS CREATE SOME 808ESQUE HI-HATS IN THE PROPHY FOLLOWING THE PULSE WAVES IDEA WITH JUST 2 OSCILLATORS!!!
ONCES YOU FOUND THE CORRECT PULSE WIDTH AND PITCH INTERVAL, THEN APPLY ARESONANT HPF AND A PERCUSSIVE VCA'S EG LIKE THE ONE WHO KILO SAYED ABOVE.
I WAS PROGRAM HI-HATS FOR YEARS IN MY ANALOG SYNTHS USSING JUST HI-FILTERED WHITE NOISE, BUT THE TIMBRE THAT YOU GETS WITH THIS TECHNIQUE IS REALLY DIFFERENT!!!
ALSO I WAS USE THE IDEA OF DIFFERENT RATES FOR DECAY AND RELEASE FOR A LONG TIME, BUT FOR ME IS MORE INTUITIVE AND USEFUL TAKE THE VALUES IN THE OPOSSITE WAY, I MEAN PROGRAM THE DECAY TO SHORT TIMES AND THE RELEASE TO LONG ONES. THIS APPROACH LETS YOU "CLOSE" THE OPEN HAT BY PRESS AND HOLD THE KEY WHILE THE LONG SOUND IS HAPPENING.
FOR ME IS MORE "REAL" THAT A PIECE OF METAL LIKE THE CYMBALS PRODUCE A LONG SOUND IF YOU HIT AND APPART THE STICK INMEDIATLY (LIKE A STACCATO NOTE) AND A SHORT ONE IF YOU HIT AND KEEP THE STICK IN CONTACT WITH THE METAL AND MUTTING IT (LIKE A LONG NOTE)
LET ME TELL YOU I WAS PROGRAM A FEW FM ANALOG-LIKE CRASH CYMBALS THAT SOUNDS DECENT ENOUGHTO USE THEM IN A TRACK.
THANKS AGAIN FOR THE HELP!!!!
DAN
I WAS CREATE SOME 808ESQUE HI-HATS IN THE PROPHY FOLLOWING THE PULSE WAVES IDEA WITH JUST 2 OSCILLATORS!!!
ONCES YOU FOUND THE CORRECT PULSE WIDTH AND PITCH INTERVAL, THEN APPLY ARESONANT HPF AND A PERCUSSIVE VCA'S EG LIKE THE ONE WHO KILO SAYED ABOVE.
I WAS PROGRAM HI-HATS FOR YEARS IN MY ANALOG SYNTHS USSING JUST HI-FILTERED WHITE NOISE, BUT THE TIMBRE THAT YOU GETS WITH THIS TECHNIQUE IS REALLY DIFFERENT!!!
ALSO I WAS USE THE IDEA OF DIFFERENT RATES FOR DECAY AND RELEASE FOR A LONG TIME, BUT FOR ME IS MORE INTUITIVE AND USEFUL TAKE THE VALUES IN THE OPOSSITE WAY, I MEAN PROGRAM THE DECAY TO SHORT TIMES AND THE RELEASE TO LONG ONES. THIS APPROACH LETS YOU "CLOSE" THE OPEN HAT BY PRESS AND HOLD THE KEY WHILE THE LONG SOUND IS HAPPENING.
FOR ME IS MORE "REAL" THAT A PIECE OF METAL LIKE THE CYMBALS PRODUCE A LONG SOUND IF YOU HIT AND APPART THE STICK INMEDIATLY (LIKE A STACCATO NOTE) AND A SHORT ONE IF YOU HIT AND KEEP THE STICK IN CONTACT WITH THE METAL AND MUTTING IT (LIKE A LONG NOTE)
LET ME TELL YOU I WAS PROGRAM A FEW FM ANALOG-LIKE CRASH CYMBALS THAT SOUNDS DECENT ENOUGHTO USE THEM IN A TRACK.
THANKS AGAIN FOR THE HELP!!!!
DAN
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