Forums - Theory / composition / technique
Subject: What makes Goa, Goa
Original Message Date: 28-Feb-00 @ 11:25 PM - What makes Goa, Goa
What are the rudiments of Goa, if theres such a thing, or the scales at work here/there.
If possible a grid definition, or any other pointers would be appreciated
Message 31/68 07-Mar-00 @ 12:27 PM - RE: What makes Goa, Goa
Message 32/68 07-Mar-00 @ 04:19 PM - RE: What makes Goa, Goa
Message 33/68 08-Mar-00 @ 05:07 AM - RE: What makes Goa, Goa
I saw Shakti at the Detroit Orchestra Hall last year it it was by far the best concert I've ever been to in my entire life. I was totally tripping out when I left....better than any drug. It was totally amazing even though i don't really understand ragas and all of that Eastern Music formal stuff... this one drummer (not Zakir Hussien, but the other guy) made this souped up-tamborine looking thing sound like a whole drum set... 10 or more timbres and crazy 32nd notes... Zakir, at one point, did a jazz walking bass line on his tablas (out of nowhere) and they each did crazy long solos and call and response...
AMAZING...
Fuck Dave Matthews and his lame ass jam rock...
Message 34/68 18-Mar-00 @ 05:23 AM - RE: What makes Goa, Goa
Ape
Message 35/68 18-Mar-00 @ 06:00 AM - RE: What makes Goa, Goa
Message 36/68 18-Mar-00 @ 02:37 PM - RE: What makes Goa, Goa
Message 37/68 19-Mar-00 @ 08:44 PM - RE: What makes Goa, Goa
Ape
Message 38/68 25-Mar-00 @ 07:25 PM - RE: What makes Goa, Goa
It's so much work to stay ahead of the crowd, ahead of the crap, ahead of the fucking wankers trying to make a buck off a bunch of drugged up raver kiddies...
Message 39/68 11-Apr-00 @ 07:13 PM - RE: What makes Goa, Goa
Message 40/68 17-Apr-00 @ 08:11 AM - RE: What makes Goa, Goa
Scales: Other than using a variety of minor scales as described above, you can use pretty much any scale with a bit of chromaticism thrown in at the wnd of the riff, usually with some portamento. It's not like the writers know fuck all about scales is it?
Chord progressions: not much going on here but avoid the 4 chord cheesey progs of progressive trance.
Sounds: 909 drums, distorted 303s for leads and Juno sounds for basslines. Quite of few of those otherwise useless "FX" sounds you have lying around.
Those trancey/acid arpeggios: Write a short (4 or 5 notes over 1 bar) little tune (let's say it starts on "C"), not go into the editor and set it all to 16ths. Fill in any empty 16th notes with "C"'s an octave above or below the root note of your tune. This will give you that pacey arp you hear which sounds a lot more complex than it is. Give it a bit of ping-pong echo (left set to quarter notes and right to 8ths), distortion and filtersweep and you are there!
Vocals: some bird dreamily harping on about the earth radiating mystic energy etc normally goes down well with the disenfranchised white middle-class audience who are dying to be told their drug induced philosophies which allow them to spend their inheritance on an extended pilled up beach holiday is not only good but deeply spiritual (this is the bit I don't like about Goan trance!)
If the guy who asked this is really interested I will mail him with some MIDI parts! Not that I am saying what I do is authentic!
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