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MIDAS Venice 240

24-May-2022

Info-line:   [synths]    [sampler]    [drumbox]    [effects]    [mixers]     [mics]     [monitors]    [pc-h/ware]    [pc-s/ware]    [plugins]    -    [links]    [tips]

MIDAS Venice 240



Category:  Products / mixing desks / analog mixers

Added: 28-May-01  |  Author: admin

New price: £ 2,272.07 - 3,499.00 euros  |   S/H price: Not listed


MIDAS Venice 240

Looking for a quality studio console for your hard disk & midi production suite??.. Everyone talks about Mackie, Soundcraft (& Spirit), Behringer etc... the most common 'home-project' studio mixers. - But how about a bit of class! - a Midas console, world renowned amongst live consoles and used by top-end live system the world over... They now got these 3 juicey 'Midas-Venice' budget live consoles for less that £3k (UKP), and these boards are super-made and ideal for the type of studio work we do, where multiple inputs and quality EQ & routing/aux's are more important that multiple sub-group outs for running dedicated big-multitrack feeds... so all this Venice series have 4 subgroups, ideal for routing to our pc/mac audio IN's as dedicated feeds - check it out !!... take a look at the spec's and checkout the large detailed image to see the features and quality - Yup a REAL Midas can be yours !!......

This is the 24/4 channel version Model: Venice 240, costing about 2200 UKP from Thomann.de etc... a superb console and you get top continuing support from Midas wherever you are worldwide!...

Download a high-res' zipped image of the 240 (24/4 mixer) - 660kb - download



MIDAS VENICE SERIES PERFORMANCE SPECIFICATIONS

Features and Specifications Venice 160 Venice 240 Venice 320
Inputs (total) 30 38 46
Mono-Inputs (Mic/Line) with Inserts 8 16 24
Stereo-Line/Mono-Mic-Input Channels 4/4 4/4 4/4
Stereo-Effect-Returns (Line) 4 4 4
Stereo-Tape-Return (Line)   1 left/right  
Busses   15  
Subgroups   4  
Aux Pre-Fader (Monitor)   2  
Aux Post-Fader (Effects)   2  
Aux switchable Pre/Post-Fader   2  
Master L/R   2  
Mono-PFL   1  
Stereo-AFL   2  
Outputs      
Subgroups (with Inserts) 4 impedanced balanced 1/4 inch jacks
Aux Pre-Fader (Monitor)   2 XLR (balanced)  
Aux Post-Fader (Effects) 2 impedanced balanced 1/4 inch jacks
Aux switchable Pre/Post-Fader   2 XLR (balanced)  
Master (with Inserts)   2 XLR (balanced)  
Master B Out 2 XLR (balanced) (switchable Mono/Stereo, pre-post Fader)   2 XLR (balanced)  
Tape Send (Recording)   1 Stereo (Phono)  
Direct Outputs (1/4 inch Jack) 8 16 24
Stereo-Headphones 2 Stereo-1/4 inch jack
Stereo-Speakers 2 impedanced balanced 1/4 inch jacks
Additional Features      
Connector for desk lamps 2 x 12V/5W (4-Pin XLR)
19“-rack-mounting- kit, yes - -
rotatable connector panel yes - -
Accesories
Dust Cover (included)
12 V Desk Lamp (not included)
Input Transformer (not included)
Technical Data      
Input Impedance      
  Mic 2 OhmBalanced
  Line 20 Ohm Balanced
Input Gain      
  Mic Continuously variable 0dB to +60dB
  Line (Mono Channell) Continuously variable -20dB to +40dB
  Line (Stereo Channel) Continuously variable -10dB to +20dB
  Line Level Inputs   0dB  
Maximum Input Level      
  Microphone and Line   +22dBu  
  Line Level Inputs (Mono)   +42dBu  
  Line Level Inputs (Stereo)   +22dBu  
CMR at 1kHz      
  Mic (Gain +30dB)   > 80dB  
  Line   > 40dB  
CMR at 100Hz      
  Mic (Gain +30dB)   70dB typical  
Frequency Response (20Hz-20kHz)      
  Mic to Mix (Gain +60dB)   + 0dB to -1dB  
Noise (20Hz-20kHz)      
  Mic EIN ref. 150gain +60dB   -129dBu  
  Mic EIN ref. 150gain 0dB   -107dBu  
System Noise (20Hz-20kHz)      
  Summing Noise (12 channels routed, faders down)   -90dBu  
  Line to Mix Noise (12 channels routet at 0dB)   -84dBu  
Distortion at 1kHz      
  Mic to Insert (+30dB Gain. +20dBu Output)   Typ 0,0007%  
  Mic to Master (+30dB Gain, +20dBu Output)   < 0,009%  
Crosstalk at 1kHz      
  Channel to Channel   < -80dB  
  Mix to Mix   < -80dB  
  Channel to Mix   < -80dB  
  Fader Attenuation   > 100dB  
  Switch Rejection   > 100dB  
Output Impedance      
  Line Outputs   75 Ohm balanced  
  Headphones   to drive 32 Ohm  
Maximum Output Level      
  Master Outputs   +25dBu  
  Line Outputs   +22dBu  
  Headphones   +22dBu / 600  
Nominal Signal Level      
  Microphone   - 60dBu to 0dBu  
  Line   0dBu  
Equaliser Mono Channel      
  Hi Pass Filter 2nd order Butterworth, 80Hz
  Treble +/-15dB at 12kHz (Shelv)
  Hi Mid Continuously variable 100Hz to 2kHz (1 Oct) +/-15dB
  Lo Mid Continuously variable 400Hz to 8kHz (1 Oct) +/-15dB
  Bass + /-15dB at 80Hz (Shelv)
Equaliser Stereo Channel      
  Treble +/-15dB at 12kHz (Shelv)
  Hi Mid 3kHz (1,4 Oct) +/-15dB
  Lo Mid 300Hz (1,4 Oct) +/-15dB
  Bass +/-15dB at 80Hz (Shelv)
Size (mm/inch)      
  Width 490 / 19.3“ 698 / 27.5“ 906 / 35.7“
  Depth 568 / 22.4“ 568 / 22.4“ 568 / 22.4“
  Heights 194 / 7.6“ 194 / 7.6“ 194 / 7.6“
Weight (kg/lb)      
  16,4 / 36.2 21,1/ 46.5 25,8 / 56.9













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User Comments

Product:  MIDAS - Venice 240
Name: ariel villazon
Email: Email supplied but hidden
Activity: Professional
Date: 09-Jan-03

I WANT TO BUY A GOOD MIXER MORE OR LESS LILE MIDAS VENICE 240 , BUT DOES IT SOUND BETTER THAN MACKIE 24.8 OR IST A QUESTION OF FEATURES AND DURABILITY ONLY, I WANT TO KNOW YOUR LOWEST PRICES OF MIDAS V. ,MACKIE 24.8 , AND BEHRINGER MX 9000. I DONT KNOW WHITCH BUY, PLEASE GIVE YOUR OPINION.(I AM INTERESTED TO BUY THE ONES THAT BETTER SOUND AND THE ONE NOT DURABLE BECAUSE MY CLIENTS ARE MORE INTERESSTED IN SOUND.).......THANKS ...ARIEL.

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Last added comment

Product:  MIDAS - Venice 240
Name: Eugene
Email: No email added
Activity: part-timer
Date: 24-Nov-03

This product ROCKS!!!

Product rating out of 5: 

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